Self-portrait as the Allegory of Painting, 1638-39. Artist: Artemisia Gentileschi.
The 17th century artist Artemisia Gentileschi was a woman who possessed a wealth of strength and intelligence that enabled her to overcome personal adversity and gender-based discrimination to become an acclaimed Italian Baroque painter. The power with which she imbued her female characters led to her rediscovery and a resurgence in her popularity in Western culture during the final decades of the 20th century.
I first discovered Artemisia’s brilliant work during the 1990s on a visit to a local Seattle bookstore. While leafing through the full-page color plates of some of her most arresting paintings, I was captivated by the psychological depth given to the female heroines she often painted as well as her mastery of techniques such as chiaroscuro (the play of light against darkness), adding a dramatic dimension which gives these figures both realism and a larger than life feel.
One of my favorite aspects of living in Latin America is the abundance of street art that adorns buildings, alleys and bridges, especially in the major cities.
On my recent visit to Lima, Peru, I made sure I booked a room in the rapidly gentrifying hipster neighborhood of Barranco which is ground zero for Lima’s street art scene. The largest collection of paintings can be found in the area around the Bridge of Sighs (Puente de los Suspiros) which has a reputation for being a popular place for young lovers to stroll.
Lima’s street art is particularly welcoming considering the city’s skies are perpetually gray for long stretches of the year. In addition, the city’s gray concrete walls and nondescript buildings make great canvases for creative street artists.
As is true of cities in Colombia and Ecuador, these colorful exterior scenes highlight each country’s ethnic diversity and native traditions as they merge with contemporary issues and international themes. Local artists–as well as the general population–love vibrant color and this is reflected in their art.
Since I believe the images speak for themselves, this introduction is brief. Enjoy this visual feast!
The Bridge of Sighs–Puente de los Suspiros.
Bridge of Sighs.
The Bridge of Sighs viewed from the opposite direction.
Imagine my surprise when one of my Omani students told me that the walls of his entire village had been painted by a local street artist. “Really,” I exclaimed with glee! “I love street art!”
On the following weekend, I headed north from the port city of Sohar in a bid to capture on video whatever I found. What I discovered in a small fishing village just west of the slightly larger town of Liwa was much more than I had expected. The walls of the village were indeed covered in art—an assortment of male faces—from the walls immediately surrounding the local mosque all the way to the sea.
As a great lover of colorful urban landscapes, I’ve traveled to many of the world’s most noted cities for street art. Berlin and Athens are two that immediately spring to mind. After visiting Colombia’s thriving capital, Bogota, several times over the past year, I would definitely add this high-altitude city set against a background of dramatic Andean peaks to a list of the world’s most interesting street art locations.
Sadly, Bogota’s street art scene was both accelerated and legitimized by a tragedy–the police shooting of a young graffiti artist, Diego Felipe Becerra, in 2011. The protests that followed Diego’s death resulted in the setting aside of city-sanctioned areas for street artists to paint. Of course, as street artists by nature tend to rebel against the establishment, there’s now street art spread over large areas of the cityscape, although there are specific neighborhoods with significant clusters of walls painted by both local and internationally-recognized street artists.
Click the link below to see the haunting images created by Ecuador’s most renowned contemporary artist, Oswaldo Guayasamín.
The Art of Oswaldo Guayasamin