Detail of Diego Rivera’s mural “Man at the Crossroads” or “El Hombre in cruce de caminos”. Palacio de Bellas Artes, Mexico City.
In a world of artifice and sham
Where money and power rule
The Kardashsian shadow
Superficial and empathy lacking
Mind control prospers
Orwell’s prophecy rendered.
The human spirit subjugated
Mass consumption won
Aim for awareness
Gaze in the mirror
Where the only truth
Tree of Life. Photo Credit: Banchop Rasi
Polarizing the people is the authoritarian’s ultimate weapon. When this happens, the people’s power will be taken away.
From: Rap Against Dictatorship in Thailand
Note–the English subtitles begin at 0:14
I was living in Bangkok during the 2006 coup d’état. While the military take over was peaceful at the time, deadly violence later erupted as anger boiled over in the population which had become polarized into two opposing groups–the red shirts and the yellow shirts. Needless to say, this made it easier to identify those at large rallies who held similar views.
I was excited to find this video since it’s a sign that some Thai artists are taking a stand against a dictatorship which has instituted draconian laws removing their right to speak out against corruption and injustice.
I wish only peace, security and freedom for my former Thai students.
“Fear again. If you want to control someone, all you have to do is to make them feel afraid.” Paul Coelho, The Devil and Miss Prym
George Soros–the most evil man on this planet. Really, I wondered aloud as I read a post from an anti-Soros Facebook group? Over the past few years, as more repressive, right-wing governments have gained popularity in some Western democracies, Soros has become THE go-to bogeyman.
While I don’t personally know the wealthy philanthropist, I seriously doubt he’s responsible for all the global mischief he’s been (and is still being) accused of causing by right-wing media outlets and conspiracy theorists. The list of accusations includes but is certainly not limited to: the Arab Spring uprising in the Middle East, refugee invasion of Europe, Black Lives Matter Movement, Ukrainian Revolution and most recently the much-publicized ‘migrant caravan’ heading toward the US/Mexico border. Soros has been labeled the king of the Institutional Left by far-right Brietbart News and was accused by Donald Trump of paying women to protest during the Senate hearings on Brett Kavanaugh’s appointment to the US Supreme Court.
Post from an anti-Soros Facebook account. Credit: BBC
“Climate change probably represents the biggest threat to human health over the next 10 or 20 years.”
Ashish Jha, Director of the Harvard Global Health Institute.
The term ‘sustainability’ has been bandied around in academic circles and popular culture for decades, possibly to such an extent that it’s simply become another buzzword to be ignored. Google ‘sustainability’ and the Oxford Dictionary will offer the following:
Even the example sentences offered by the trusted source above reflect the contradictions inherent in the way we interpret sustainability and rationalize the consumer choices we make on a daily basis. On the one hand, we want ‘sustainable’ economic growth and all the material goodies it brings. On the other hand, we expect to breathe clean air, drink pure water and be able to build our houses safely on the edge of vast oceans.
Are these two scenarios mutually exclusive? Is it really possible to maintain current Western standards of living without endangering the health of our planet and the very existence of our species?
Self-portrait as the Allegory of Painting, 1638-39. Artist: Artemisia Gentileschi.
The 17th century artist Artemisia Gentileschi was a woman who possessed a wealth of strength and intelligence that enabled her to overcome personal adversity and gender-based discrimination to become an acclaimed Italian Baroque painter. The power with which she imbued her female characters led to her rediscovery and a resurgence in her popularity in Western culture during the final decades of the 20th century.
I first discovered Artemisia’s brilliant work during the 1990s on a visit to a local Seattle bookstore. While leafing through the full-page color plates of some of her most arresting paintings, I was captivated by the psychological depth given to the female heroines she often painted as well as her mastery of techniques such as chiaroscuro (the play of light against darkness), adding a dramatic dimension which gives these figures both realism and a larger than life feel.
One of my favorite aspects of living in Latin America is the abundance of street art that adorns buildings, alleys and bridges, especially in the major cities.
On my recent visit to Lima, Peru, I made sure I booked a room in the rapidly gentrifying hipster neighborhood of Barranco which is ground zero for Lima’s street art scene. The largest collection of paintings can be found in the area around the Bridge of Sighs (Puente de los Suspiros) which has a reputation for being a popular place for young lovers to stroll.
Lima’s street art is particularly welcoming considering the city’s skies are perpetually gray for long stretches of the year. In addition, the city’s gray concrete walls and nondescript buildings make great canvases for creative street artists.
As is true of cities in Colombia and Ecuador, these colorful exterior scenes highlight each country’s ethnic diversity and native traditions as they merge with contemporary issues and international themes. Local artists–as well as the general population–love vibrant color and this is reflected in their art.
Since I believe the images speak for themselves, this introduction is brief. Enjoy this visual feast!
The Bridge of Sighs–Puente de los Suspiros.
Bridge of Sighs.
The Bridge of Sighs viewed from the opposite direction.
In an article published this week, my friend Christopher Burke has included a list of organizations that are working to help Venezuelans in need, both those within their country and those living as refugees in neighboring Colombia. For more information, please follow the link below.
The first ‘help’ link–The Venezuelan Society of Palliative Medicine–is no longer working which is an indication of how severe the crisis in medical care is within Venezuela.