A large black wicker Buddha at an outdoor pavilion in Myanmar, the only one of this type I’ve ever encountered. Photo: Henry Lewis
I don’t remember making a conscious decision to immerse myself in the study of Buddhism, but by 2005 when I arrived in Thailand to teach I already understood (at least on an intellectual level) many of its basic tenants. I’d read books by Tibet’s Dalai Lama, Vietnam’s Thich Nhat Hanh and a variety of other popular Asian Buddhist writers. I found their suggestions on how to achieve freedom from the human ‘monkey mind’ with the aim of eventually attaining a higher state of consciousness to be very appealing.
I’d also regularly attended a Buddhist sangha back in Seattle during the early 1990s where I’d developed a meditation practice and learned more about the rituals and practices which had been repackaged for Western consumption. What lay in front of me, however, was a series of lessons on the different interpretations and manifestations of Buddhism found from one country and culture in East Asia to another.
Thais making merit through symbolic offerings at Wat Po in Bangkok. Note, the cow sculpture which is more often seen in Hindu iconography. The syncretic nature of religion means that when a faith enters a new region, it usually blends with the folk belief system that was already in place before its arrival. Photo: Henry Lewis
After reading a young bloggers recent post, I decided to disable Word Ads on my site. How could I in good faith continue to write about our wasteful lifestyles and promote sustainable living while ads for things that people clearly don’t ‘need’ were being displayed at the end of each of my posts? That irony left me feeling hollow.
So, for me, turning off all ads is the right decision. Mind you, I’m far from being wealthy and I’m still looking for ways to produce income, but I’d rather make a living strictly based on my skill-set than from gimmicky advertising.
Happy Thanksgiving to all my friends and family in the USA, and to all those everywhere who are thankful for having the human essentials of food, clothing and shelter. There are so many in our world who are in flux as refugees and who have nothing more than the clothes on their backs. For them, my greatest hope is an end to their suffering and more stable and prosperous lives in the future.
The British pop rock group The 1975 have created a powerful music video, Love It If We Made It, with the refrain: “Modernity has failed us”
Surrounded by desert, the ancient Egyptians depended on their intimate knowledge of the Nile River’s ever changing flow for survival. The river’s natural flood cycles fertilized the land and made it suitable for growing crops. The Nile is shown here as it flows through present-day Luxor, the site of the ancient Egyptian city of Thebes. Photo Credit: Henry Lewis
I’m obsessed with history and archaeology. For me, there’s a fascinating mystique that surrounds the exploration of advanced ancient cultures from the early Egyptians and Sumerians to the later New World Mayas and Incas. One thing they all had in common was a deep respect for the natural world that sustained them.
Try to imagine the innate knowledge ancient humans once possessed; the kind of skills and oneness with nature that was required for groups to navigate their way from one continent to another during the last Ice Age. These early explorers depended more on their knowledge of and continuity with nature than on the primitive technologies that were available at that time. Where is such intuition today?
Separation II, 1896. Lithograph by Edvard Munch.
In a world of artifice and sham
Where money and power rule
The Kardashsian shadow
Superficial and empathy lacking
Mind control prospers
Orwell’s prophecy rendered.
The human spirit subjugated
Mass consumption won
Aim for awareness
Gaze in the mirror
Where the only truth
Tree of Life. Photo Credit: Banchop Rasi
Polarizing the people is the authoritarian’s ultimate weapon. When this happens, the people’s power will be taken away.
From: Rap Against Dictatorship in Thailand
Note–the English subtitles begin at 0:14
I was living in Bangkok during the 2006 coup d’état. While the military take over was peaceful at the time, deadly violence later erupted as anger boiled over in the population which had become polarized into two opposing groups–the red shirts and the yellow shirts. Needless to say, this made it easier to identify those at large rallies who held similar views.
I was excited to find this video since it’s a sign that some Thai artists are taking a stand against a dictatorship which has instituted draconian laws removing their right to speak out against corruption and injustice.
I wish only peace, security and freedom for my former Thai students.
“Fear again. If you want to control someone, all you have to do is to make them feel afraid.” Paul Coelho, The Devil and Miss Prym
George Soros–the most evil man on this planet. Really, I wondered aloud as I read a post from an anti-Soros Facebook group? Over the past few years, as more repressive, right-wing governments have gained popularity in some Western democracies, Soros has become THE go-to bogeyman.
While I don’t personally know the wealthy philanthropist, I seriously doubt he’s responsible for all the global mischief he’s been (and is still being) accused of causing by right-wing media outlets and conspiracy theorists. The list of accusations includes but is certainly not limited to: the Arab Spring uprising in the Middle East, refugee invasion of Europe, Black Lives Matter Movement, Ukrainian Revolution and most recently the much-publicized ‘migrant caravan’ heading toward the US/Mexico border. Soros has been labeled the king of the Institutional Left by far-right Brietbart News and was accused by Donald Trump of paying women to protest during the Senate hearings on Brett Kavanaugh’s appointment to the US Supreme Court.
Post from an anti-Soros Facebook account. Credit: BBC
“Climate change probably represents the biggest threat to human health over the next 10 or 20 years.”
Ashish Jha, Director of the Harvard Global Health Institute.
The term ‘sustainability’ has been bandied around in academic circles and popular culture for decades, possibly to such an extent that it’s simply become another buzzword to be ignored. Google ‘sustainability’ and the Oxford Dictionary will offer the following:
Even the example sentences offered by the trusted source above reflect the contradictions inherent in the way we interpret sustainability and rationalize the consumer choices we make on a daily basis. On the one hand, we want ‘sustainable’ economic growth and all the material goodies it brings. On the other hand, we expect to breathe clean air, drink pure water and be able to build our houses safely on the edge of vast oceans.
Are these two scenarios mutually exclusive? Is it really possible to maintain current Western standards of living without endangering the health of our planet and the very existence of our species?
Self-portrait as the Allegory of Painting, 1638-39. Artist: Artemisia Gentileschi.
The 17th century artist Artemisia Gentileschi was a woman who possessed a wealth of strength and intelligence that enabled her to overcome personal adversity and gender-based discrimination to become an acclaimed Italian Baroque painter. The power with which she imbued her female characters led to her rediscovery and a resurgence in her popularity in Western culture during the final decades of the 20th century.
I first discovered Artemisia’s brilliant work during the 1990s on a visit to a local Seattle bookstore. While leafing through the full-page color plates of some of her most arresting paintings, I was captivated by the psychological depth given to the female heroines she often painted as well as her mastery of techniques such as chiaroscuro (the play of light against darkness), adding a dramatic dimension which gives these figures both realism and a larger than life feel.
One of my favorite aspects of living in Latin America is the abundance of street art that adorns buildings, alleys and bridges, especially in the major cities.
On my recent visit to Lima, Peru, I made sure I booked a room in the rapidly gentrifying hipster neighborhood of Barranco which is ground zero for Lima’s street art scene. The largest collection of paintings can be found in the area around the Bridge of Sighs (Puente de los Suspiros) which has a reputation for being a popular place for young lovers to stroll.
Lima’s street art is particularly welcoming considering the city’s skies are perpetually gray for long stretches of the year. In addition, the city’s gray concrete walls and nondescript buildings make great canvases for creative street artists.
As is true of cities in Colombia and Ecuador, these colorful exterior scenes highlight each country’s ethnic diversity and native traditions as they merge with contemporary issues and international themes. Local artists–as well as the general population–love vibrant color and this is reflected in their art.
Since I believe the images speak for themselves, this introduction is brief. Enjoy this visual feast!
The Bridge of Sighs–Puente de los Suspiros.
Bridge of Sighs.
The Bridge of Sighs viewed from the opposite direction.