Self-portrait as the Allegory of Painting, 1638-39. Artist: Artemisia Gentileschi.
The 17th century artist Artemisia Gentileschi was a woman who possessed a wealth of strength and intelligence that enabled her to overcome personal adversity and gender-based discrimination to become an acclaimed Italian Baroque painter. The power with which she imbued her female characters led to her rediscovery and a resurgence in her popularity in Western culture during the final decades of the 20th century.
I first discovered Artemisia’s brilliant work during the 1990s on a visit to a local Seattle bookstore. While leafing through the full-page color plates of some of her most arresting paintings, I was captivated by the psychological depth given to the female heroines she often painted as well as her mastery of techniques such as chiaroscuro (the play of light against darkness), adding a dramatic dimension which gives these figures both realism and a larger than life feel.
One of my favorite aspects of living in Latin America is the abundance of street art that adorns buildings, alleys and bridges, especially in the major cities.
On my recent visit to Lima, Peru, I made sure I booked a room in the rapidly gentrifying hipster neighborhood of Barranco which is ground zero for Lima’s street art scene. The largest collection of paintings can be found in the area around the Bridge of Sighs (Puente de los Suspiros) which has a reputation for being a popular place for young lovers to stroll.
Lima’s street art is particularly welcoming considering the city’s skies are perpetually gray for long stretches of the year. In addition, the city’s gray concrete walls and nondescript buildings make great canvases for creative street artists.
As is true of cities in Colombia and Ecuador, these colorful exterior scenes highlight each country’s ethnic diversity and native traditions as they merge with contemporary issues and international themes. Local artists–as well as the general population–love vibrant color and this is reflected in their art.
Since I believe the images speak for themselves, this introduction is brief. Enjoy this visual feast!
The Bridge of Sighs–Puente de los Suspiros.
Bridge of Sighs.
The Bridge of Sighs viewed from the opposite direction.
In an article published this week, my friend Christopher Burke has included a list of organizations that are working to help Venezuelans in need, both those within their country and those living as refugees in neighboring Colombia. For more information, please follow the link below.
The first ‘help’ link–The Venezuelan Society of Palliative Medicine–is no longer working which is an indication of how severe the crisis in medical care is within Venezuela.